Why Behringer?

Behringer X32

Why do we promote Behringer as a brand?

Shane in Kenwyn sent a mail to us about three weeks ago asking why we tend to promote Behringer as a brand?  The quick and nasty reply would be yes we do, no we don’t. Actually we don’t have any bias towards any manufacturer but we do stick up for brands that may be getting an unfair reputation.  We need to look at the trend towards Asian manufacture and then our own demographics.

Behinger EP4000
Behinger EP4000 2 x 1kW into 4 Ohms

Over the last 20 years or more China has become the hotspot for European, Japanese and American manufacture of electronic products and for the sake of this article we concentrate on professional and consumer audio gear, laptops and computer monitors.  Through early years there has been countless reports of manufacturers battling with quality control and R&D, more often than not still in the country of design.  This has changed tremendously.  We mustn’t kid ourselves, both Taiwan and the ROC have moved up the ladder to a deserved #1 spot in many fields.  Recognised as copycatters, this role may well be reversing.  Chinese engineers are some of the best and highest paid in the world, so much so that manufacture is looking at Indian manufacture to remain competitive. Continue reading “Why Behringer?”

More about DACs – the A/D Converter

M-Audio Fast Track Duo

The A/D Converter – pushing vinyl to digital

The common and garden DAC can be picked up cheaply at most electronic stores, ready to run straight from your CD player through optical (Toslink) or coax and used to drive your analogue only system.

Although these little units are cheap by comparison to high end products being portable they can be used in most cases where a device does not have an analogue output so you really don’t have to trash your vintage equipment.

Going higher end there are literally hundreds of different brands to choose from, most having bidirectional data lines through USB which allows one to input binary and output analogue or vice versa through ADAT (Toslink) usually.

Behringer U-Phoria UMC20
Behringer U-Phoria UMC20 – Audio Mart and Sound Select

For anyone wishing to record vinyl to their computer one would need a RIAA spec preamplifier. For tape or cassette deck the line outputs would suffice but in most cases non-professional decks would need further amplification. Why? Continue reading “More about DACs – the A/D Converter”

DIY DAC for Audio

Bits, Bytes and Sampling – DIY DAC

To kick off we need to piss of a couple of people, one being the high end user wanting the fastest sampling rate possible and the second, that cheap means nasty. A DIY DAC may mean a purchase and mod with better supply or even a build from loose components up.

Some Capable DACs - purchased but not a DIY DAC
Some Capable DACs

 

When we went into the Philips Hi-Fi arena 50 years back the CD disk was supposedly going to be the end of our woes, high definition audio at a sampling rate of 44.1kHz and in total using 16 bits to reproduce simply put pitch, loudness and quality.   16 bits of binary, looking at the analogue breakdown would equal to over 65 000 variants of a signal at 44.1kHz sampling.

For a stereo system we calculate the bitrate as being 2 x 44100 x 16 or 1411 kb/s or 1.411 Mb/s. Continue reading “DIY DAC for Audio”

Gibson files for Bankruptcy Protection

Gibson Brands Inc files for Chapter 11

The iconic USA manufacturer of guitars , electronic audio and DJ equipment has filed for bankruptcy protection caused by losses of nearly $500m through Gibson Innovation, their consumer and DJ division. Gibson Brands Inc filed for Chapter 11 according to news reports, allowing noteholders to continue the business and replace stockholders, including Henry Juszkiewicz, the CEO for the last thirty years.

Bloomberg press release

Transistor Equivalents – old equipment restoration

Where to find transistor equivalents?

Restoring old gear can be a nightmare when it comes to some of the more obscure transistor types, and a pretty expensive exercise as well. Transistor equivalents for substitution is often a necessity when repairing vintage gear. This applies equally well to silicon devices and not just Germanium.

Years back we were confined to telephonic conversations or writing letters to the supplier, the snail mail variety.  In South Africa we are fortunate enough to have proactive suppliers in the electronics industry, unlike in the motor or metal industries where staff are still learning how to send emails, except if they see a big sale pending. Continue reading “Transistor Equivalents – old equipment restoration”

Speaker Impedance: 4 Ohm or 8 Ohm

Speaker Impedance and amplifier design

 

There’s been a lot of techno speak on the various forums to readers about the advantages of using loudspeaker impedances of specific values, some even discussing the merits of 4 Ohms as only being used in very high end systems. The question here is based on another question:  If a great sounding system works well driving an 8 Ohm why would you then think a 4 Ohm would make it sound better?

2 Way loudspeaker crossover
2 Way Loudspeaker crossover – Wiki Commons German Wiki Frank Klemm

Certainly car audio is often found with 4 Ohm speakers, sometimes in parallel to get 2 Ohms.  Does it sound better than 4 Ohms?

Is a system designed to drive an 8 Ohm speaker then  inferior to that which can drive a 4 Ohm speaker? Continue reading “Speaker Impedance: 4 Ohm or 8 Ohm”

Vintage Audio Vs Modern Technology

Is vintage audio better than modern releases?  (post 2000)

This reminds me of the first argument I had regarding the merits of mechanical VU meters over LED.

Yeah, we like vintage stuff, especially with those big VU meters. Hell, I was looking at the specs of the Pioneer SX-1980 the other evening and thought  what a beast this must have been in the 1980s. At 270W this is certainly by no stretch of the imagination much in modern times thanks to PWM, Class D and mounted on a one inch square heatsink.

McIntosh_MA6800
McIntosh MA6800

en:McIntosh Labs MA6800 amplifier. *Source:  *Credit: [http://www.flickr.com/people/ux/ Akira Kamikura] *License: cc-by-2.0 {{cc-by-2.0}}

Continue reading “Vintage Audio Vs Modern Technology”

Repairing the Sony TA-F444ESX – Regulator failure

Sony TA-F444ESX PSU

The Sony vintage TA-F444ESX – protector and regulator failure

As a follow up to our previous article on speaker protection we thought it pertinent to look at this classic vintage amplifier, the Sony TA-F444ESX. Good in looks, solid in build and of course exceptional audio.

The Sony TA-F444ESX is similar to the TA-F700ES with international supply voltages 100 – 240V. Continue reading “Repairing the Sony TA-F444ESX – Regulator failure”

Electric Motors in low current Circuits

Induction Motor

Electric Motors, Trends over the last 50 Years

For those born after 2000 and electric motor is seen as just another product of technology, just like the cell phone.  Electric motors have been with us for the last 200 years, personal handheld phone (Motorola and Martin Cooper) about 50. There is a link of course, that being switching devices.

Universal Series Wound Electric Motor
Universal Series Wound Electric Motor

Although it is an accepted fact that inverters and variable frequency drives are with us to stay, older technology relied on some pretty innovative ideas to increase and/or lock an electric motor’s speed.

Continue reading “Electric Motors in low current Circuits”